I'm currently raising funds to continue the project and bring the work to new audiences, and I need your help. If you or your organization would like to fund or support the project, you can make a tax-deductible contribution here, thanks to my fiscal sponsor, Blue Earth Alliance. For other ways to support, send me an email: firstname.lastname@example.org
Dual Shadows: East Africa's LGBT Refugees, is a three-part project about the LGBT refugees of East Africa. It follows them from their homes in Uganda where they faced unimaginable abuse, to Kenya, a country they fled to but where they face the same hardship, to the United States where many are eventually resettled, though the process takes years.
In Uganda, the notorious “Kill the Gays” bill caused an international uproar. In its wake, LGBT activists received funding and a global platform that would have been unimaginable without the bill. But the visibility created a grassroots allergic reaction, and though the rhetoric has died down and the bill has been defanged, attacks and abuse are on the rise, and to be gay in Uganda today may be more dangerous than ever before.
In the months after the bill’s passage, Sulait and his boyfriend were tortured in a Uganda prison, and so they fled to Kenya only to be attacked by a mob of men with machetes there. Hundreds of others fled to Kenya too, hoping for peace, but instead, finding only more persecution.
After years of waiting in hiding in Kenya, many are settled in the US. But America is not the paradise they imagined. Persecution and fear are replaced by isolation and anxiety about an unknown future.
Dual Shadows is a record of LGBT forced migration unlike any other, following this community from its darkest moments to its uncertain future. At a time of great uncertainty for both LGBT and refugee rights, this work illuminates the stakes for those at the center of a firestorm.
Accolades and publications of the work include Magenta Foundation's Emerging Photographer Project Grant, a NYFA Artist Fellowship, Blue Earth Alliance Sponsorship, a Pulitzer Center on Crisis Reporting grant, nods by American Photography, and the French-America Foundation. Tearsheets from media publications of the project can be seen here.